Friday, January 31, 2020
The Power of Truth Essay Example for Free
The Power of Truth Essay Novelist Tim Oââ¬â¢Brian once said ââ¬Å"A lie, sometimes, can be truer than the truth, which is why fiction gets written. â⬠In his novel The Things They Carried, Oââ¬â¢Brian argues that ââ¬Å"story-truth is sometimes truer than happening-truthâ⬠(171). Oââ¬â¢Brian opposes the idea of absolute truth, and believes that all truths are subject to change. He believes that a fictional story can be more true than an actual event. However, a story, no matter what story, cannot be more true than an actual event; a ââ¬Å"story versionâ⬠of an event is merely a shadow of that eventââ¬âa make-up-caked, dramatized, Hollywood shadow. It is impossible for ââ¬Å"story-truthâ⬠to be truer than ââ¬Å"happening-truth. â⬠In The Things They Carried Oââ¬â¢Brian creates a daughter, Kathleen, for the fictional version of himself. Oââ¬â¢Brian, however, does not have a daughter in real life. While it may be a ââ¬Å"story-truthâ⬠that Tim Oââ¬â¢Brian had a daughter, it will never be a ââ¬Å"happening-truth. â⬠A made-up daughter will never be more real than Oââ¬â¢Brianââ¬â¢s actual son. In the novel, Oââ¬â¢Brian ââ¬Å"return[s] with [his] daughter to Vietnamâ⬠where he buries a belonging of a fellow soldier (173). This story can never be more true than an actual event solely because of the involvement of a fictional character. A man can tell a story about his last trip to the grocery store, and most people would count it as true. However, if the man told a story about going to the grocery store with a magic genie, it would be assumed that he is lying, even if every other facet of his story was believable. This is no different than Oââ¬â¢Brian weaving a fictional character in to his novel. The ââ¬Å"story-truthâ⬠of Kathleen can never be more true than ââ¬Å"happening-truth. â⬠Furthermore, in a crime investigation, it is illegal to interfere with evidence involved with a case. Any disruption or corruption of evidence is termed ââ¬Å"falsifying evidence. â⬠This is a serious offence because it could seriously disturb the process of solving a crime. Devoid of sound evidence, it is difficult to determine how a crime was committed. Evidence is an example of ââ¬Å"happening-truth;â⬠it conveys without any bias, exactly what happened at the scene of a crime, or at the events leading up to a crime. Investigators cannot solve a crime based solely off of ââ¬Å"story-truth,â⬠such as the testimonies of witnesses, because of the numerous individual accounts of a crime which are subject to dishonesty, human error, and prejudice. Therefore, investigators rely on ââ¬Å"happening-truthâ⬠because it is trustworthy, whereas ââ¬Å"story-truthâ⬠is inconsistent. Moreover, the popular film The Titanic is bursting with examples of ââ¬Å"happening-truthâ⬠and ââ¬Å"story-truth. â⬠Director, James Cameron, designed many of these ââ¬Å"story-truthsâ⬠to provide an increased dramatic tone in the film. He created a grand staircase on the ship while in reality this staircase was so small passengers had to go up and down single file. A Pablo Picasso painting is featured in the film, although Picasso was not popular during the time of the Titanic, and his work was not widely distributed. The diamond necklace in the film, titled ââ¬Å"The Heart of the Ocean,â⬠never existed, much like the love story between invented passengers Rose Bukater and James Dawson. These creations served Cameronââ¬â¢s purpose to paint a theatrical telling of the event, but the movie was just thatââ¬âtheatrical. Although these ââ¬Å"story-truthsâ⬠indicate the sinking of the Titanic was a romantic event, it is the ââ¬Å"happening-truthsâ⬠that send chills through the viewersââ¬â¢ astonished bodies. The most powerful aspect of the film The Titanic is not the love story. It is not the grand staircase, or the luxurious dining room. It is not the interaction between characters, or the extravagant ââ¬Å"Heart of the Ocean. â⬠The most powerful aspect of The Titanic is that it actually happened. At the end of the film, there were 1,502 dead bodies sinking and in the freezing salt water of the Atlantic. No ââ¬Å"story-truth,â⬠no matter how elaborate, could create a greater tragedy than a ââ¬Å"happening-truth. â⬠Why not? Since ââ¬Å"story-truthsâ⬠are not as true as ââ¬Å"happening-truths. â⬠Therefore, the notion that a story could ring truer than an actual event is in the wrong. A lie cannot reveal a deeper truth; only truth can uncover truth. Stories provide an escape for the imagination. They allow the reader to imagine a different reality and to glimpse into an alternate world. However, stories are only stories. They are not real. The only way the reader can understand a true reality is to read a true account of that reality. Although this account may be less dramatic than the ââ¬Å"story versionâ⬠of the reality, it is in fact the reality. It is the truest truth; the ââ¬Å"happening-truth. â⬠Works Cited OBrien, Tim. The Things They Carried: A Work of Fiction. Boston: Houghton Mifflin, 1990. Print. Tim OBrien Quotes. Tim OBrien Quotes (Author of The Things They Carried). N. p. , n. d. Web. 18 Feb. 2013. . Titanic Facts vs. Titanic Fiction. HubPages. N. p. , n. d. Web. 18 Feb. 2013. . The Titanic Gazette: R. M. S. TITANIC vs. Titanic Movie. The Titanic Gazette: R. M. S. TITANIC vs. Titanic Movie. N. p. , n. d. Web. 18 Feb. 2013.
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